Photos by Kayla Fernandez
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Review and photos by Lilli Banks
November 9, 2017
DC9 Nightclub, Washington, D.C.
From Sheffield, England, The Sherlocks took a trip to North America to promote their new album. Their indie alternative music has thousands of people shouting the lyrics to their songs and selling out venues throughout United Kingdom. Building their fanbase, they opened for bands such as Kings of Leon and The Libertines and soon to open for Liam Gallagher on his European tour in 2018.
After seven years of being a band, the two sets of brothers released their debut album, “Live for the Moment” in mid-August of this year. The album featured singles from years prior and new tracks that hit #6 in the UK charts.
With the success of their album, they set off on a UK, European, and North American tour. They performed in the US back in March of 2016 for SWSX in Texas, but their first headline tour was this November, starting in Toronto.
The band kicked off the set with their song, “Last Night” and the crowd was immediately enticed. Although it was the last night of tour, they never let their energy falter. Their tunes “Blue” and “Will You Be There?” roared through DC9 Nightclub bringing those from the downstairs bar and staff.
“Turn the Clock,” arrived on the setlist and the acoustic guitar was brought out. The crowd was thrilled to hear a slower song that showed another side of the band.
Kiaran, the lead singer and guitarist, took a moment to say, “We’re ending our first tour in Washington, D.C. just how we wanted it,” which made the crowd yell with happiness and cheering.
As the upbeat songs came back, pairs of friends danced in the crowd with the beer in their hands. An older adult was front and center, mesmerized by the band. Andy, the bassist, had a huge smile on his face seeing how the crowd was reacting to them.
The band knocked the night and tour out with Chasing Shadows. Soon enough, this band will be filling venues of the USA and we’re excited to see them progress!
The band will be returning to the USA in January 2018 to the West Coast. The first date on January 16th in Los Angeles at The Echo.
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Words by Corynne Fernandez and photos by Kayla Fernandez
Separating itself from other California festivals, Tropicalia was a true testament to unity through diversity. From their unequivocal lineup that was composed of acts like Los Tigres Del Norte and King Krule, to their seamless-execution of the So-Cal tropic theme, and the highly sought for free-tacos, the festival was a success on all parts with minimal hiccups along the way. We had the chance to cover some of the most anticipated new acts and document their performances below. Thank you to the media team at Tropicalia for being the sweetest group of people as well!
Ringing in the day’s festivities, was Current Joys. While festival goers made their way in, the crowd for their set was in full force, igniting mosh pits and echoing the group’s lyrics throughout.
The band comprised of Nick Rattigan, lead singer from Current Joys, and Jacob Rubeck, carried the same energy through their set. With co-singer, Rattigan, never missing a beat and Rubeck equally interacting with the frenzied crowd, the duo played hits like Doom Generation, Freaks, and Goth Babe.
Perhaps one of the most anticipated new artists was England native, Jorja Smith; most of the crowd at the Dia De Los Puercos stage had been waiting from the start of the festival for her set. Even with little movement, Smith and her accompanying band captured not only her audience but onlookers from other stages and the infamous taco lines, playing brand new songs from her latest EP, as well as fan favorite, Blue Lights.
We had the chance to catch Inner Wave—a favorite of Lucid Dreams (check out our interview here)—while they played at the Mota Stage to their largest crowd. For many, it was the first time hearing the band, while others had flown from out of state solely to see the group. Needless to say, Inner Wave did not disappoint, and elicited a retrogressive synergy with songs like Bower, Discipline, and American Spirits.
Amongst all the acts, the best dressed had to be the collective Buttertones, in which they set the tone for their signature surfer-soul discography, and paid homage to the tailored looked that characterized the 50’s and 60’s. Throughout the entirety of the set, not one sun-kissed head was still, and the 5-piece thrived off what the crowd gave so enthusiastically. What set the Buttertones apart was their use of sax in combo with their unique rock, doo-wop additions, creating an ambience unlike any other.
The Anthem opened it’s doors this year; bringing in the most legendary bands such as The Foo Fighters, LCD Soundsystem, and Phoenix as their first couple of acts in October. I had the amazing opportunity to witness French indie rockers: Phoenix take the stage. It was a show I’ve been recommending everyone I possibly can to watch since the date a couple weeks ago. The Versaille-based band always leaves me buzzing for days after their performances; they’re simply unforgettable.
As soon as Phoenix emerged onto the stage, the crowd was roaring. DC had missed the four-piece band composed by lead Thomas Mars, bassist Deck D’arcy, and guitarist Christian Mazzalai and Laurent Brancowitz, since their last bout in the city a few months ago. Introducing the night with the first beats to J-Boy, it was impossible for the audience and the band not to burst into an Italian-disco frenzy! From the light show to Mars jumping into the crowd, it was a celebration from beginning to end. They performed tracks from ‘romantic, glossy, soft-pop ode to sweet escapes and dance floors’ new album Ti Amo as well as illustrious past hits.
DC thundered through every song, and the atmospheric crowd did not disappoint. I looked back from GA during their prominent track 1901, to admire the moment. I remember seeing the crowd, in the multiple-level venue, spring up and down rich with joy. Never missing a beat or an opportunity to show their appreciation, Phoenix was the hero of DC that night.
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Playlist by Hailey Zaragoza
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Words and photos by Sara Valenzuela
The indie-R&B band, made in Seattle, took the DC9 and captivated the audience with a spectacular show. The audience made it clear, DC loves Pickwick! The crowd was enthusiastic and very loud, the loudest I’ve ever witnessed at the intimate U Street venue.
Pickwick recently released their sophomore album ‘LoveJoys’ featuring singles like ‘Turncoat’ and ‘In Time’. This album is a great follow up from their 2013 debut album ‘Can’t Talk Medicine’.
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